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SAARC Regional Seminar on Cultural Dynamics in National Harmony (CDNH) in South Asia Concludes Successfully


SAARC Cultural Centre is pleased to announce the successful conclusion of the SAARC Regional Seminar on Cultural Dynamics in National Harmony (CDNH) in South Asia. The Seminar was held from 15-16 May 2015 at the Senate Room, University of Peradeniya, Sri Lanka. It was attended by over 50 participants, from Bangladesh, Bhutan, India and Sri Lanka.

The Seminar was convened with a view to provide a platform to the academics and experts on the subject to discuss key issues, moot research questions and to identify themes and subthemes of Cultural Dynamics in National Harmony in South Asia that will merit independent and in-depth research.

Inaugural Session
The Welcome Address was delivered by Mr. G. L. W. Samarasinghe, Director, SAARC Cultural Centre while Prof. Shantha K. Hennayake, Deputy Vice Chancellor, University of Peradeniya, Sri Lanka delivered the Keynote Speech.
Academic Sessions
A total of twenty two research papers were presented in eight academic sessions spread over two days (15-16 May 2015). The sessions were along the following themes:
Introductory Session (1 Session),
Role of Literature and Arts in Creating a Culture of Peace (1 Session),
Role of Popular Culture in Promoting Regional Harmony (Mass Media/ Sports/ Films/ Music etc.) (1 Session),
Culture & Identity (1 Session),
Education and Peace-building (1 Session),
Culture & Identity (Case Studies) (1 Session),
Cultural Approaches to Conflict Management (1 Session) and
Culture, Development & National Harmony (1 Session)
The Plenary Session
At the conclusion of the Academic Sessions, a Plenary Session was held on 16 May 2015 as a closed-door event with the participation of all Chairpersons of the Academic Sessions. It was chaired by Mr. G.L.W. Samarasinghe, Director, SAARC Cultural Centre. The objectives of the Plenary Session were to consider all suggestions submitted by the participants in Feedback forms, finalize the Research themes/ topics for the purpose of inviting research proposals under the SAARC Research Programme on Cultural Dynamics in National Harmony (CDNH) in South Asia (2015-16), and to review the Form/ Guidelines for the submission of the research proposals.  The Plenary Committee perused all the Feedback forms received from the participants of the Seminar and various themes suggested therein were discussed in detail.
Valedictory Session
The Valedictory Session of the Seminar was held at the Senate Room, University of Peradeniya, Sri Lanka. Mr. G.L.W. Samarasinghe, Director, SAARC Cultural Centre and Prof. Shantha K. Hennayake, Deputy Vice Chancellor, University of Peradeniya distributed certificates and mementos to all participants, paper presenters and delegates of the Seminar. Ms. Apsara Karunaratne, Research Assistant, SAARC Cultural Centre proposed the Vote of Thanks.
Post-Seminar Tour
A full day post-seminar tour was organized for the participants of the seminar to Yapahuwa on 17 May 2015.
King Buvanekabahu IV built Yapahuwa to be both a capital city and fortress. As such, the site is located on a rock 30 meters high affording panoramic (and strategically important) views of the surrounding area. The flagship feature of Yapahuwa today is, however, its ornamental staircase that takes the traveler to the scenic heights of the rock. 
The transport for the post-seminar tour was facilitated by the University of Peradeniya.



SAARC Literary Festival on South Asian Poetry (25-28 June 2015, BANGALORE)


Known as home to many of the world’s best epics, stories and poems, South Asia is a region with a unique literary tradition. The region shares a common literary tradition that has developed over the years – scattered times and spaces. Ranging from oral histories to epic poems, the South Asian poetry tradition offers a rich and pulsating experience of the unique South Asianess. It can be argued that much of the best poetry that has ever been composed still remains unwritten and un-baptized, yet what did got written and passed down from one generation to another in the annals of the histories of South Asia, presents some of the poignant pieces of literary creations.

Poetry unlike the edifices erected by the people of yesteryears continues to change in texture and shape as it draws from the changing experiences of a region’s folks. It embodies vast vocabularies of emotions, cultures, articulations and nuances. South Asian poetry, indeed, is no exception. Like many of its regional and global counterparts it too is unique. It is unique to the extent that it is born out of a specific culture and, therefore, portrays traits distinctive to it. This, however, does not deny the transcending potential of poetry that appeal to the human element in every individual’s heart, irrespective of their spatial and cultural diversity.

The delight and influence of South Asian poetry as a catalyst that brings together diverse cultures within the region reflects a cultural confluence unsurpassed by any other region of the world. This rich and vibrant mingling needs to be appreciated and celebrated by giving due recognition to indigenous cultures and styles represented by such poetry so as to celebrate unity in diversity and to preserve splendid South Asian expressions that are a fundamental part of the region’s cultural ethos.

The SAARC Literary Festival which began in 2013 is slowly and steadily gaining its momentum as the literary catalyst within SAARC giving the Member States to share their literary creations, debate, analyze, and discuss the state and accomplishments of the literature of South Asia. In keeping with the SAARC Agenda for Culture which envisages that diversity in culture as reflected in varied cultural expressions needs to be acknowledged, the SAARC Cultural Centre will organize a 4-day Literary Festival on South Asian Poetry in India. The Festival will be an open forum for poets and poetry critics to discuss, debate, and analyze poetry in South Asia and to indulge in exploring its unique cultural tapestry.



As part of the approved programmes for the year 2015, the SAARC Cultural Centre will organize a 3-day Literary Festival on South Asian Poetry in India (Bangalore) on. This Festival will provide a platform to the poets, writers, literary critics, publishers and literary enthusiasts in the region to share their thoughts, insights, voice their concerns and learn from the experts of South Asian Poetry. It will also hold poetry reading sessions. It is hoped that with a mix of formal and informal interactive sessions, the Festival will promote and critically discuss the poetic traits of South Asia.


The Festival seeks to discuss and analyse the following thematic areas:

  • The South Asian Poem: Historical Developments
  • Cultural Pluralism as depicted in South Asian Poems
  • Shared Characteristics of South Asian Poetry (including contexts, themes, metaphors, allegories and expressions)
  • Colonial and Post-colonial South Asian Poetry: From Agitation to Celebration
  • South Asian Poetry in the Information Age


The Festival would have presentations, book reviews, lectures, discussions and poetry reading sessions.


The Festival will be held in Bangalore, India for 4 days from 25-28 June 2015.



The SAARC Cultural Centre invites all the Member States to send a minimum of Five and maximum of Ten Poets and literary critics as Official Nominees with the exception of India to nominate a maximum of 15.


Every person accompanying the official nominees of the SAARC Member States should pay a registration fee of US $ 300/- towards his/ her boarding and lodging during the Literary Festival. All such accompanying persons will be accommodated with the respective Official Nominee on full board/ twin-sharing basis.


In addition to the Official Nominees, the SAARC Cultural Centre will consider the participation requests made by self-funded nominees from the recognized literary organizations from the SAARC region. However, to facilitate their stay during the Literary Festival, the SAARC Cultural Centre would assist them in securing accommodation in guest houses/ hostels at economic/ subsided rates.

The SAARC Cultural Centre, however, reserves the right to accept or reject any request for participation in the Festival.


All nominations should include:

  • Full Name and affiliation (if any) of the Person with a detailed CV, and
  • An Abstract (c. 300 words) of the proposed paper/ presentation.

One of the Official Nominees is required to make a country presentation for 30 minutes on the current situation of Poetry in their respective country. Official nominations have to be sent via the Ministry of concerned, through the Foreign/ External Affairs Ministry to SAARC Secretariat. An advance copy of the nomination may be forwarded to the SAARC Cultural Centre. Email- This e-mail address is being protected from spambots. You need JavaScript enabled to view it


The last date for sending in the nominations is 30 May 2015


The language for the Festival would be English.


The SAARC Cultural Centre would provide local hospitality (hotel accommodation on full-board basis) and local transport to all nominees of the SAARC Member States. 

The airfare of the nominees of the SAARC Member States is to be borne by the respective Member State.





SAARC Photographic Competition and Exhibition 2015

(Theme: World Heritage Sites in the SAARC Region)


Request for Proposals from Technology Provider Firms

The SAARC Development Fund, having its Secretariat at Thimphu, Bhutan, invites Expression of Interest/ Proposals from eligible firms for developing online platform & providing related support services for launching its Social Enterprise Development Program (SEDP) across the 8 SAARC member states. Complete Terms of reference is available in the website www.sdfsec.org or may be obtained through email at This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Last date for submission of proposal is 18th March, 2015, 5.00 PM ( BST) 




SAARC Cultural Festival on Folk Dance Bhutan 2015

–An Unique Experience in Cultural Diversity

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